un regard lubrique : Marcel Duchamp's The Large Glass (1915-1923) and After

Marcel Duchamp, La mariée mise à nue par ses célibataires, même (Le Grand Verre), 1915-1923
Oil, varnish, lead wire, lead foil, mirror silvering, and dust on two glass panels (cracked after the exhibition at the Brooklyn Mueseum, 1926 and repaired by the artist), each mounted between two glass pannels, with five glass strips, aluminum foil, and a wood and steel frame, 277.5 x 175.8 cm

Marcel Duchamp, La Mariée mise à nu par ses célibataires même (La Boîte Verte), 1934
Felt covered cardboard containing one colour plate and ninety-three paper elements, 33 x 28.3 x 2.5 cm

Jean Tinguely, Méta-matic n. 17, 1959
Iron Z-stroke metal elements and wires, rubber balloon, rubber belts, petrol engine 220 V, painted black, 330 x 230 x 193 cm

Niki Saint-Phalle, Tir, 1961
Plaster, objects, paint on a woodel panel, 330 x 210 x 35cm

Robert Rauschenberg, Black Market, 1961
Oil, watercolour, crayon, printed paper, printed reproductions, wood, metal, metal box and four notepads on canvas, with rope, rubber stamp, inkpad and various objects, 127 x 150.1 x 10.1 cm

Robert Rauschenberg, Autobiography, 1968
Offset lithograph, 504.8 cm x 123.81 cm

Jasper Johns, A Set Elements for Walkaround Time (After The Large Glass), 1968
Seven inflatalble plastic pillows painted wilth images taken from Duchamp's The Bride Stripped Bare by her Bachelors, Even (The Large Glass), 1915-1923

Merce Cunningham, Walkaround Time, 1968
First Performed in Buffalo, NY (10 Mar 1968). Music by David Behrman, Set design by Jasper Jones after Marcel Duchamp

Richard Hamilton, A mirrorical return, 1998
Inkjet print on paper, 53.0 x 66.1 cm

Richard Hamilton, Typo/Topography of Marcel Duchamp's Large Glass, 2003
laminated inkjet print on aluminium, 2 panels, 130.5 x 171 cm; 138 x 171 cm

Robert Rauschenberg, Cy Twombly with Artworks at Fulton Street 1954, 1954
[Link: About Cy Twombly, Untitled (Funerary Box for a Lime Green Python), 1954]